Everything is Awesome CAUTION: SPOILER BRICKS THROWN
We talk to the Idaho Virtualization Lab about modelling real creatures for a living.
NewTek’s LightWave 3D the key to resurrecting the tale of Dr. Obsidian
Scary monsters prey on children in M dot Strange’s new film I Am Nightmare.
CGSociety talks to Mike Grier and the Emberlab team about a long journey with a short film.
THE FOUNDRY and CGSociety have found this year’s best MARI artist!
The Foundry’s Andy Lomas shows us his personal experiments
Alias|Wavefront revealed today an innovative new Hardware rendering capability in its recently announced MayaR 5 software. With Maya 5, customers can produce broadcast quality images up to 20 times faster than ever before possible. Read More
Award-winning live-action, animation and visual effects facility Frantic Films contributed a host of stunning visual effects shots for the hit Paramount thriller THE CORE. Read More
Building on more than a decade of leadership in the broadcast and film industries, Discreet is defining a new era of leadership that spans the advanced systems, desktop software and animation markets at NAB 2003 Read More
The CGNetworks and 3DFestival crew were treated to exclusive previews of Maya 5 last week. Here's the official announcement for the latest version of the animation package. Read More
Researchers at IRIDAS, have developed a PC-based system that plays uncompressed film-resolution sequences at full-speed, directly from 8, 10 or 16-bit formats -- without converting to special high-speed formats. Read More
Boris FX, today announced the next version of the award-winning application, Boris RED. Boris RED 3GL is the first integrated 3D compositing, titling, and effects application to implement OpenGL. Read More
Clear Ltd., one of London's leading boutique visual FX facilities, have recently completed an array of special effects as part of Coca-Cola UK's promotional campaign, using Realviz automatic tracking software, MatchMover Professional. Read More