Pam Hogarth gives her top ten tips on entering the CG industry
CGSociety talks to Crytek, the makers of “Ryse, Son of Rome”, about the converging worlds of film and games
Ever since Iron Man 2, Perception has increasingly been asked to do real-life concepting and design work for everything from smartphone...
It takes more than an Allen Key to create IKEA's incredible visualisations
CGSociety talks to the artists who made Edge of Tomorrow.
And the winners are (drumroll) ...
Check the list of winners. Congratulations to all!
London-based Framestore CFC is again in the running for an Emmy Award for Outstanding Special Visual Effects. This time, the VFX for 'The Lost World' gained the nomination. Read More
NXN Software has announced AlienBrain VFX 2.0, the next generation of its digital asset management product catering to the digital visual effects industry. Read More
LA-based A52 has delivered VFX for Nike's latest spot entitled 'Full Moon'. Directed by Ania Hoffman with A52 emerging VFX artist Westley Sarokin on the job, the spot features gorgeous use of CGI. Read More
Santa Monica post and VFX house Steele VFX has completed work on Ashanti's music video 'Rock Wit You'. Almost every shot in the music video needed enhancements in post. Read More
The good people behind the FrameCycler frame sequence viewer has released SequencePublisher, which will convert frame sequences to any industry standard format including video. Read More
So what’s it like working at Pixar? CGNetworks spent some time with Victor Navone and Carlos Baena, Animators at Pixar Animation Studios in Emeryville, California. Read More
Following an intense three-month executive search, Oregon3D Inc., announced that Anne A. Chen has joined the Portland, Ore.-based company as vice president of business development and chief financial officer. Read More