Everything is Awesome CAUTION: SPOILER BRICKS THROWN
We talk to the Idaho Virtualization Lab about modelling real creatures for a living.
NewTek’s LightWave 3D the key to resurrecting the tale of Dr. Obsidian
Scary monsters prey on children in M dot Strange’s new film I Am Nightmare.
CGSociety talks to Mike Grier and the Emberlab team about a long journey with a short film.
THE FOUNDRY and CGSociety have found this year’s best MARI artist!
The Foundry’s Andy Lomas shows us his personal experiments
London-based Framestore CFC is again in the running for an Emmy Award for Outstanding Special Visual Effects. This time, the VFX for 'The Lost World' gained the nomination. Read More
NXN Software has announced AlienBrain VFX 2.0, the next generation of its digital asset management product catering to the digital visual effects industry. Read More
LA-based A52 has delivered VFX for Nike's latest spot entitled 'Full Moon'. Directed by Ania Hoffman with A52 emerging VFX artist Westley Sarokin on the job, the spot features gorgeous use of CGI. Read More
Santa Monica post and VFX house Steele VFX has completed work on Ashanti's music video 'Rock Wit You'. Almost every shot in the music video needed enhancements in post. Read More
The good people behind the FrameCycler frame sequence viewer has released SequencePublisher, which will convert frame sequences to any industry standard format including video. Read More
So what’s it like working at Pixar? CGNetworks spent some time with Victor Navone and Carlos Baena, Animators at Pixar Animation Studios in Emeryville, California. Read More
Following an intense three-month executive search, Oregon3D Inc., announced that Anne A. Chen has joined the Portland, Ore.-based company as vice president of business development and chief financial officer. Read More