• EXOTIQUE - Ballistic Publishing
    Apart from the odd drawing class when she was younger, Linda Tso entirely self-taught. As a child she remembers going to art, calligraphy, piano and dance lessons, most of these were as she says, ‘just for fun’. Her younger experiences also took her to the odd art exhibition. “I remember standing in front of Ingrés' "Roger Delivering Angelica" and was so amazed by how perfect, and huge, the painting was. My parents didn’t influence me much in terms of art, although they did give me a well-rounded cultural education, so to speak.” She moved from Taiwan to New Zealand in her early years.

    The next time Linda Tso had that same feeling of awe was when she discovered the beautiful digital paintings on an online art gallery in 2003. “I wanted to be able to create those kinds of images as well,” she says. “I still consider myself in the early stages of my art career, if you could call it that. I've done some book covers, illustrations for cards, private commissions and some tutorials.”
    Linda began to post her work online and won her first freelance job soon after, from a Taiwanese clients wanting some book covers produced. That was three years ago now, and since there has been a fair bit of travel in her life lately, Linda has no ‘studio’ to speak of. “Currently, it's just a table, a chair, and my computer,” she explains. “I used to have pictures and paintings all over the wall for inspiration, and I also kept a selection of art books, magazines, reference books etc nearby; most of those are still packed in boxes somewhere now.”

    Linda Tso loves a smooth commercial job. Where she can take a brief and make her soft realistic style work for the client. She greatly admires those artists who can, “work in more stylized ways - for example lines and cell shading in comics, master illustrators such as Rackham and Mucha. That is definitely something I aspire to. Some of the hardest and most difficult jobs would turn out to be the ones where I learned the most, because I had to venture out of my comfort zone and challenge myself.”
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  • While the world outside has a rich collection of reference, there is nothing like the web as the source of searchable visual reference, and Linda Tso takes advantage of that resource for mood. “I've saved a lot of beautiful images and paintings from the web,” she explains, “and I like to browse through the folders when I have nothing to do. As much as things like music and writing inspires me as well, it's the visual queues that make the greatest impact, and that includes movies, dreams and magazines of any kind. Dreams do inspire me, and if I don't dream I'd somehow feel the time I spent sleeping was wasted. Mirror reference and some quick photos of myself are a help sometimes Also. Then there are the Loomis anatomy books.”

    Linda Tso creates all her work, from sketch to finish, on the computer. Even at the sketch stage, working digitally is so convenient to her. “Colors are also very important to me,” she adds. “I don't necessarily think how it will affect the mood of the picture every single time I start. Using complimentary colors for shading brings about a nice luminosity in the image. A lot of times I use the Color Balance adjustment to give the colors more depth.” Linda paints faces according to her own idea of beauty. “Being a female helps too I guess,” she quips. “Most of us loved to play with dolls and dress them up when we were young, only I paint them now instead.”

    Future
    For the moment, Linda Tso wants to just keep working on her skills, hopefully broadening the areas she is proficient in. “I always believed that a great artist should be able to switch effortlessly into different media and types of work, be it illustration, design, concept work for games, movies or comics. I hope someday I will be able to make that claim.”


    Related links:
    Linda Tso's Website
    Below are two CCG card illustrations for Fantasy Flight Game's CCG "A Game of Thrones" set "A House of Thorns". They show how I usually work. A rough sketch followed by blocking in colors. Because of their small print size, I've retained some of the lines in the "Trip to the Market" image. A lot of times the way things "inspire" me work in strange ways such as this, when something that is completely irrelevant gets drawn upon into something else that I create.

    "Liante" (left) was a commissioned portrait and one of the more heavily referenced images I've done. The reference image was provided by the client, which was from about the hips upwards only. It was fun to try and paint the character who was, by description, a vain and ruthless "villain with a mask of charm". The rich purplish brown costume with the elaborate gold decoration was designed in mind of that. Textural overlays are great for providing some nice abstract details for background.
    EXOTIQUE - Ballistic PublishingEXOTIQUE 2 - Ballistic Publishing
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